Portrait No. 2 - Piano
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Mozart The composer in , unfinished portrait by Joseph Lange. Mozart in popular culture Beethoven-Haydn-Mozart Memorial. Authority control MusicBrainz work: Retrieved from " https: Chamber music by Wolfgang Amadeus Mozart Compositions for piano quartet Compositions in E-flat major compositions Chamber music composition stubs.
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Piano Quartet No. 2 (Fauré) - Wikipedia
Chamber music by W. The composer in , unfinished portrait by Joseph Lange.
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- Piano Quartet No. 2 (Fauré).
Nectoux adds that there was the advantage that the existing classical repertory contained very few top-flight piano quartets with the exception of Mozart 's. The first movement, which is in classical sonata form , opens with a unison string melody accompanied by relentless piano figuration. The exposition ends with a modified return of the opening theme and its pulsing accompaniment. Viola and cello introduce a new theme, molto tranquillamente , which provides a link into the central development section and returns, in its original form and then at double speed, towards the end of the section.
Piano Quartet No. 2 (Mozart)
The recapitulation begins with the first theme fortissimo, turns to G major with the viola melody, and the second subject returns on the cello and then the violin. The coda is primarily based on the opening theme but also reintroduces the molto tranquillamente melody now at double speed, and ends quietly in the major. The C minor scherzo is the shortest of the four movements. Melodic material from the first movement — first its espressivo second subject and then the main theme — is transformed into a rondo.
The third movement, Adagio non troppo, is in E-flat major. At the start of the middle section, the bell figure is played on the strings in a mixture of arco and pizzicato. The movement builds gradually to a fortissimo climax before the return of the bell motif leads the music back to pastoral quiet.
At the beginning of the coda of the movement, the bell theme, given a more elaborate shape, given to the piano as an accompaniment to a cello melody. The music finishes quietly in the home key of E flat major. Nectoux says of this movement, "The sense of space it creates, rapt and profound within a narrow range of notes, marks it out as being truly the music of silence".
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The second subject, derived from the molto tranquillamente theme of the first movement, is a vigorous theme reminiscent of a waltz.