Uncategorized

On the S.S. Bernard Cohn

Daisy accidentally discovers that she is the "Melinda" at the center of the growing controversy and that Mark prefers Melinda to herself.

Navigation menu

In her angry confrontation with the psychiatrist about the matter, she tells him that she is "through being a go-between for you and your dream girl. You're not going to go on using my head for a motel. Daisy goes to the airport, ready to return home. Her ESP powers warn her that the plane on which she plans to travel will crash.


  • You May Also Like?
  • The Big Fire (Weave-A-Web Book 1).
  • Les Codes essentiels Larcier: Commerce 2012-2013 (Les Codes en droit économique et commercial) (French Edition);
  • On a Clear Day You Can See Forever!
  • On The S.S. Bernard Cohn;
  • Talkin' Broadway E-Blast List.
  • Musical Cast Recording - On the S.S. Bernard Cohn (From On a Clear Day You Can See Forever) - KKBOX.

She realizes at last how special she really is. The musical is available in at least two noticeably different published versions aside from the film version , although the basic plot-line remains the same. The first version was published in A second version is evident in the piano-vocal score published in The overture recorded on the cast album combines the "overture" and " entr'acte " printed in the vocal score.

The film version departed from the musical significantly, adding a character for Jack Nicholson an ex-stepbrother named "Tad" , and changing details of other characters, moving the period of Melinda's life ahead by a decade or two into the early 19th century , removing several songs, changing lyrics and adding two new songs.

On a Clear Day You Can See Forever

In the piano-vocal score, a song appears that was not included in the original Broadway production: There was also a ballet in the first act of the original production, entitled "At the Hellrakers" and the song "Ring Out the Bells" that are not found on the original Broadway recording. The title song has been recorded by a number of artists, including Robert Goulet , Johnny Mathis, baseball pitcher Denny McLain , and by Sergio Franchi on his DynaHouse and TeleHouse albums; [15] Barbra Streisand , star of the film version, recorded the title song on the film's soundtrack.

From Wikipedia, the free encyclopedia. This article is about the stage musical.

On the S.S. Bernard Cohn lyrics

Act I "Overture" "Hurry! It's Lovely Up Here! Mark Bruckner "On the S. Please Don't Pick on Daisy". Archived from the original on January 16, Retrieved January 12, Music by Burton Lane.

On The S.s. Bernard Cohn lyrics

Piano reduction by Robert H. Archived from the original on Retrieved from " https: Webarchive template wayback links CS1 maint: Archived copy as title. Views Read Edit View history. In other projects Wikiquote.

This page was last edited on 11 December , at By using this site, you agree to the Terms of Use and Privacy Policy. When Mark arrives, Daisy tells him she's "through being a go-between for you and your dream girl. You're not going to go on using my head for a motel. At his office, Mark attempts to bring Daisy back to him through extrasensory control, and finally succeeds.

He tells her he's now comfortable with her two existences, but Daisy cannot accept them, and leaves. At the airport, Daisy's powers warn her that the plane she's about to get on will crash.

On a Clear Day You Can See Forever - Wikipedia

Then she learns the name of the aircraft: Daisy's premonition turns out to be correct: Daisy finally acknowledges that she may have lived before. She and Mark go off to explore the possibilities of a phenomenal future together. A Lecture Room at the Bruckner Clinic. The Solarium of the Bruckner Clinic, several days later. Mark Bruckner's Office, immediately following.

The Rooftop of Daisy's Apartment. Early evening, a week later. The Solarium of the Bruckner Clinic.

More By Original Broadway Cast

Afternoon, one week later. Act two Without revealing the identity of his subject, Mark has reported his experiences with Daisy to his fellow psychiatrists, who ridicule his findings.

Act 1 Scene 1: Act 2 Scene 1: Mark Bruckner On the S.