The Scribes Journey - Part Three: The Tinkers House
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Return to Book Page. Preview — the scribe's journey by adam strover. His love of words had brought him here. Bright, inquisitive, eager to explore the secrets that words could hold, Sama was happy in his new life as apprentice scribe in a small village of little consequence. His talents had earned him the respect of his master and the grudging admiration of his peers, he had books beyond counting at his fingertips, and he enjoyed his work.
Bu His love of words had brought him here. Learn more at Author Central. All Formats Kindle Edition Sort by: Popularity Popularity Featured Price: Low to High Price: High to Low Avg. The Scribe's Journey - Part One: Setting Out Oct 12, Available for download now. The Scribe's Journey - Part Two: Escapes Oct 12, The Scribe's Journey - Part Three: The Tinker's House Jul 30, I arranged to meet him the next day. Anyway, it had messages for the world: He wanted it in book form with big type that any business person could read on a short flight.
We created a significant marketing plan — Feargal arranged for Don Keogh, head of Coca Cola Worldwide, to speak at a spectacular launch. We printed six runs in the first three years — big retailers like Sainsburys bought it in bulk for their managers.
- The Scribe's Journey - Part One: Setting Out;
- the scribe's journey.
- the scribe's journey by adam strover.
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Topics included innovation, succession, changing with the times, and start ups. He was writing a short humourous column, The Diary of a Schools Rugby Player, which rapidly became the most-read element of the paper. It moved from inside the sports section to the back page of the sports section and then to the main paper.
Paul had collected the early writings in two volumes which he had published with the Tribune we later re-edited and re-published these as The Teenage Dirtbag Years and The Miseducation Years , but we saw that there was lots more potential there. With the superb new illustration talent of Alan Clarke the Ross phenomenon was born: We had a big dream: Easy to say but difficult to achieve.
I asked Seamus Cashman, poet, editor and founder of Wolfhound Press, and friend to edit it.
Taking Notes
In his introduction, Cashman says: That legendary standing army of Irish poets, famous, infamous and unknowns proved, much to my relief, to be more than a wild bunch, good humoured professionals, ready to have a go. For illustration, we wanted something wild, beautiful, original and child-centred — and boy did the three illustrators deliver!
- No More Singing the Job Loss Blues!
- Out of the Flames.
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Alan Clark, mischievous, rude and brilliant. Corrina Askin, blazing colour, action-packed childish fun. Emma Byrne contributed illustration, brilliant typography and overall delicious design. Poetry Ireland helped with the books promotion and launch. Two original editions, well-published, a hardback in a slipcase, and a trade hardback: We were thrilled to receive funding from the Irish Arts Council and huge support from RTE Education, who bought a substantial number of copies for lucky schools in Ireland. In , the first paperback was published.
Maire was just three.
Benefits of working visually
Her mother Muriel Murphy MacSwiney was from the wealthy Murphy brewing family who, uncharacteristically, became a socialist activist. Young Maire spent her early years in various European schools. When I met Maire she was eighty-five and almost blind. She had a feisty lively curiosity and was very engaged in the idea of creating her biography. The book was first published in a splendid hardback in and is now available in paperback.
It was launched by the then Taoiseach Bertie Ahern. This was one of those mad big ambitious ideas that sounds so hard to get over the line. Just think of the pitch: It has to be both accurate and entertaining, really child-friendly and heavily illustrated with photographs and cartoons. Lots of funny cartoons. And it has to cover everything from the way people lived to the major historical characters, both North and South, including the Famine, and the Northern Troubles, in a fair and balanced way.
This type of book takes a long time, and a huge team.
Out of the Flames - Penguin Random House Education
We commissioned the wonderful Cartoon Saloon in Kilkenny to do the illustration, where eight different artists took on different sections. We are very grateful to the Dublin Airport Authority, the Heritage Council and the Arts Council, who all helped us to make this huge project a reality — and the time and energy invested was all worthwhile when the final, wonderful book won at the Irish Book Awards and went on to sell lots of copies!
After a couple of years we even did a smaller version which is more suitable for tourists: Sometimes it really pays to think big! Exploring the Book of Kells was first published in in hardback. We discussed the huge range of tourists who visited it and, with our experience of multilingual editions of The Golden Book of Ireland , decided that it was time that we made it available in a range of languages.
As English-language publishers, we are rarely faced with the challenges of translation. While most publishers in most countries in the world consider this a core part of their business, readers in English are generally more conservative, and works in translation are not so popular: Thankfully, I have a friend who has lived in Japan for many years in Nagoya who works for a translation company, so we were able to get the logistics dealt with: We have since added Spanish to the roster of languages for this unique celebration of Celtic art.
As a graphic designer, and like many others, I was always drawn forgive the pun to comics and graphic novels. I came across Street of Dublin by Gerry Hunt one day in Sub City, that beloved shop of the comic fan, and I loved the look and feel of it, the art, the production, the paper. I promptly bought a copy and I remember how impressed I was with the drawings of Dublin. Gerry Hunt really brought the place to life — and gave it fantastic atmosphere. From this meeting, the great idea came about to create a graphic novel version of the the rising.
By taking an often sensitive episode from our history and retelling it through the media of the comic book, it takes on a different guise. It makes it more approachable to those reluctant to read weightier volumes — so it really appeals to kids. This was innovative publishing. Larkins Labour War about the Lockout. I first met Neil Richardson as a teenager at a creative writing project at Tallaght library in West Dublin. He was writing fiction and also interested in military history. When he discovered a family secret that his great grandfather was a soldier in World War I, he was amazed and he decided to research this grey area in Irish history.
Neil contacted newspapers and other media, asking for memorabilia, diaries, medals, and letters from the public relating to relatives who fought in the Great War. Of course, it coincided with the rise in Irish republican activity, including the historic Rising and the desire for independence from the British Empire. At the prestigious Irish Book Awards, Neil was up against acclaimed names in his non-fiction category. When he won the award, he almost fell off his chair — but he managed to deliver a stirring account to the audiences at the venue and at home, watching on television.
#40Years40Books
When this book came to me, I had great fun rereading all those rhymes I learned as a kid. I had different artists in mind, some that I had worked with before, but I wondered if it was possible to take these familiar stories and give them a completely fresh and non-traditional look. I put it to the in-house editorial group and they asked me to come up with some different illustrators and approaches.
I also search through blogs and it was here that I found Steve McCarthy. I found his work fresh, funny and innovative. I thought he could really re-invent these classic rhymes while still being true to them. It would mean taking a big chance, so I got some samples and Steve came in to meet Sarah, Claire, Ide the editor and myself. The authors liked the sound of Steve and were generously willing to take a risk too. The rest is history; the gamble paid off in spades.
These time-trusted stories had a whole set of new clothes, at times funny, sad, quiet, messy, colourful but always engaging. So we do always make an effort in house to look for new, unpublished illustrators and are willing to take a chance on new voices — as clearly it pays to do so! Selected by the city libraries, a single book is the focus for a month of readings, talks, music and a myriad of other events.
We were delighted when John Boyne agreed to write a new, and very personal, introduction. Of course, all the events that were part of One City, One Book were wonderful, including a night of readings and music in the National Concert Hall. The support of our friends in the Dublin City Libraries was really strong.
Our Joycean adventure continued when, in , we published a new edition of Ulysses both in hardback and paperback, as well as a special limited edition as well as James Joyce: