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Dont Look Back

Dont Look Back A harrowing documentary of the Stones' tour, with much of the focus on the tragic concert at Altamont.

Don't Look Back by Jennifer L. Armentrout

Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from to Kennedy and Hubert H. Humphrey during the Wisconsin primary. The July 3rd, historic concert of the 'leper Messiah'. A great medley of 'Wild Eyed Boy From Four relentless door-to-door salesmen deal with constant rejection, homesickness and inevitable burnout as they go across the country selling very expensive bibles to low-income Catholic families.

Portrait of the artist as a young man. In spring, , Bob Dylan, 23, a pixyish troubador, spends three weeks in England. Pennebaker's camera follows him from airport to hall, from hotel room to public house, from conversation to concert. Joan Baez and Donovan, among others, are on hand.

It's the period when Dylan is shifting from acoustic to electric, a transition that not all fans, including Baez, applaud.

Don't Look Back, Bob Dylan and the invention of the rockumentary

From the opening sequence of Dylan holding up words to the soundtrack's "Subterranean Homesick Blues," Dylan is playful and enigmatic. Pennebaker and Bob Neuwirth, Dylan's pal and "tour manager" who was along for the ride on the '65 tour of England this film documents. Their thoughts are interesting, often insightful, occasionally hilarious and shed some light on the movie's more esoteric moments. You'll probably learn something even if you've read all the books Benson, Heylin, etc.

Allen Ginsberg makes a cameo appearance during this episode. The original title of this film is Dont Look Back , without an apostrophe in the first word. Pennebaker, the film's writer director, decided to punctuate the title this way because "It was my attempt to simplify the language".

Something might be gaining on you," and that Dylan shared this view. Pennebaker has said that he was not aware, when deciding on the film title, that it had appeared in one of Dylan's songs, and that he knew Dylan did not want a song lyric to be the title. Pennebaker has stated that the famous "Subterranean Homesick Blues" music video that is shown at the beginning of the film was actually shot at the very end of filming.

Pennebaker decided during editing to place it at the beginning of the film as a "stage" for Dylan to begin the film.


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A transcript of the film, with photographs, was published in by Ballantine Books. The film has been very well received by critics. The film also received a 5 star review from allmovie. In August , a Newsweek reviewer wrote:. Dont Look Back is really about fame and how it menaces art, about the press and how it categorizes, bowdlerizes, sterilizes, universalizes or conventionalizes an original like Dylan into something it can dimly understand.

TRADITIONAL TACOS IN THE NEIGHBORHOOD

It was digitally remastered and re-released on DVD February 27, Pennebaker to coincide with the film's release in , a flip-book for a section of the "Subterranean Homesick Blues" video, and a brand new documentary by D. Pennebaker and edited by Walker Lamond called 65 Revisited. Given that there are so many remakes in Hollywood, it really shouldn't be a problem to acknowledge that this is a remake of the British movie.

Why didn't they admit it?

My back pages: how Dylan’s Bootleg Series illuminates his past

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