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Transnational Television History: A Comparative Approach

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Publication: Transnational television history: a comparative approach. Introduction.

Results of about Your list has reached the maximum number of items. Please create a new list with a new name; move some items to a new or existing list; or delete some items. Taylor and Francis, Historical Journal of Film, Radio and Television, v34 n3 Applicants Online form Phone: American and Canadian Studies. Cultural, Media and Visual Studies.

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Modern Languages and Cultures. Teaching Summary I believe that students learn best through being active learners. In my teaching I use a range of methods to encourage active and applied learning, from giving students specific seminar preparation… read more Research Summary I am currently working on a book, Online TV Routledge that examines the increased convergence of television and the internet.


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The authorial function of the television channel: Doctor Who as programme brand. Current Research I am currently working on a book, Online TV Routledge that examines the increased convergence of television and the internet. I work closely with archive and industry partners, such as the BBC and Ofcom.

Transnational Television History. A Comparative Approach

From catch-up TV to online TV:: Promotional screen industries New York ; Routledge. Repositioning Expertise in the Promotional Screen Industries.

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The Continuity of "Continuity": A journal of cultural materialism. Cult Television e Industria Televisiva. Cult TV Rigel Edizioni. In Western Europe, first and foremost, these processes took place within the EBU, which was founded on 13 February in Torquay, on the south coast of England, and tackled issues of programme exchange across national borders while working on common technical and legal standards. However, in , when the idea of a European news exchange came up, the ARD refrained from cooperating due to the high costs involved.

Overall, the German enthusiasm for cooperation within the EBU during the s and s can be regarded as rather moderate. This lack of involvement, partly, resulted from the EBU practice that bilateral cooperation and programme exchanges were often agreed upon privately and informally before these ventures were discussed in the official committees and working groups.

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Following this aim, in von Bismarck directed his staff to have more contacts between the BBC and the WDR in order to reach agreements about programme exchanges with East European broadcasting organizations. Concerning this matter, the BBC bought Polish and Czech film productions while assisting broadcasters from Poland with their film production ventures on English soil. As has been argued in this article, the relationship between Greene and von Bismarck in the period from to was a special one.

It was manifested in multiple interdependencies, exchanges, visits and correspondences and reflected mutual trust, closeness and high respect for one another. At the same time, it exemplifies how the British tradition of broadcasting independence lived on in Germany, with von Bismarck being one of its most prominent representatives. Apart from this more emblematic effect, the interpersonal relations between the two central actors triggered bilateral cooperation between the BBC and the WDR. What becomes obvious from the investigation of the relations between Greene and von Bismarck is the difficulty to differentiate between the business and the personal layer.

When investigating business relationships, possible indicators such as the frequency of correspondences, mutual visits and consultations need to be taken into account. Depending on cultural idiosyncrasies, personal elements in business relationships can, for example, be manifest in the content and form of correspondence e.

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In any case, in order to be considered relevant for transnational television historiography, interpersonal relationships need to be embedded into broader contexts e. Interpersonal relations matter for transnational television history. They can be an extremely fruitful entry point into transnational interdependencies and have great potential for contributing to European perspectives on television history. Communications Policy in the UK and Germany This license does not apply to the media referenced in the article, which is subject to the individual rights owner's terms.


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A Comparative Approach , Routledge, , pp. Chalaby, Transnational Television in Europe: Reconfiguring Global Communications Networks , I.


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