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Piano Concerto No 1 in B Flat Minor, Opus 23

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Piano Concerto No. 1 in B-flat Minor, op. 23

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Piano Concerto No. 1 in B flat minor, Op. 23

I played through the first movement. Not a criticism, not a word.

Seong-Jin Cho - Tchaikovsky Piano Concerto No. 1 in B-flat minor, Op. 23 (2011)

I did not need any judgment on the artistic form of my work; there was question only about its mechanical details. This silence of Rubinstein said much.

About the Work

It said to me at once: There burst forth from Rubinstein's mouth a mighty torrent of words. He spoke quietly at first; then he waxed hot, and at last he resembled Zeus hurling thunderbolts. It appeared that my Concerto was utterly worthless, absolutely unplayable; passages were so commonplace and awkward that they could not be improved; the piece as a whole was bad, trivial, vulgar.

I had stolen this from that one and that from this one; so only two or three pages were good for anything, while the others should be wiped out or radically rewritten. I cannot produce for you the main thing: An impartial bystander would necessarily have believed that I was a stupid, ignorant, conceited note-scratcher, who was so impudent as to show his scribble to a celebrated man. He made only one change in the score: The form is so mature, so ripe and distinguished in style; intention and labor are everywhere concealed. I would weary you if I were to enumerate all the characteristics of your work, characteristics which compel me to congratulate equally the composer and those who are destined to enjoy it.

Such a success must at first have puzzled Rubinstein, but eventually he and Tchaikovsky reconciled their differences over the work. Tchaikovsky incorporated some of his suggestions in the revision, and Rubinstein not only accepted the Concerto, but eventually made it one of the staples of his performing repertory.

During the next four years, when Tchaikovsky wrote Swan Lake , the Rococo Variations , the Third and Fourth Symphonies, the Violin Concerto, and, in , met his benefactress Nadezhda von Meck, he was not only successful enough to leave his teaching job to devote himself entirely to composition, but he also became recognized as one of the greatest composers of his day. C standard version First Perf ormance.

Jurgenson Version A — Moscow: Jurgenson Parts Arrangement for 2 pianos Full score - Moscow: Muzgiz , in Pyotr Tchaikovsky: Complete Collected Works , vol. Version B — Moscow: Jurgenson Full score, pages. Plate Arrangement for 2 pianos — Hamburg: Rahter , Version C — Moscow: Duration 34 minutes Composer Time Period Comp. All three versions were also arranged for 2 pianos by Tchaikovsky.