From Me to You
As I said earlier it is the punch in the opening vocals and they drive furiously until the end. It could be done as an old ragtime tune And so, we're not writing the tunes in any particular idiom.
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In five years' time, we may arrange the tunes differently. But we'll probably write the same old rubbish! We weren't taking ourselves seriously — just fooling around on the guitar — when we began to get a good melody line, and we really started to work at it.
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Before that journey was over, we'd completed the lyric, everything. I think the first line was mine and we took it from there. What puzzled us was why we'd thought of a name like From Me To You.
It had me thinking when I picked up the NME to see how we were doing in the charts. Then I realised — we'd got the inspiration from reading a copy on the coach. I remember John and Paul coming up to me to ask if I would like to hear a couple of songs that they had just written. They were looking for opinions because they were undecided about which should be their next single. We crowded around a piano and Paul played, while the two of them sang their latest composition.
FROM ME TO YOU - The Beatles - www.newyorkethnicfood.com
The Beatles at this time had had their first number one, and John and Paul were writing songs at the back of the coach. Kenny Lynch, who, at this time, fancied himself as a songwriter, sauntered up to the back of the coach and decided he would help John and Paul write a song. After a period of about half an hour had elapsed and nothing seemed to be coming from the back, Kenny rushed to the front of the coach and shouted, 'Well, that's it. I am not going to write any more of that bloody rubbish with those idiots. They don't know the music from their backsides.
From Me To You
No more help from me! This new number was to be the b-side. We were so pleased with it, we knew we just had to make it the a-side, Thank You Girl the b. There was a little trick we developed early on and got bored with later, which was to put I, Me or You in it, so it was very direct and personal: That middle eight was a very big departure for us. Say you're in C then go to A minor, fairly ordinary, C, change it to G. And then F, pretty ordinary. But then it goes, 'I got arms Going to G minor and a C takes you to a whole new world.
PythonNF Thursday 1 March Jamie Schwartz Monday 7 December Don Sunday 29 April ForgetScowl Monday 10 November Pepperland Wednesday 27 February Lennon fan Thursday 10 April James Friday 11 April Joe Friday 13 June Thankfully they came up with From Me to You instead… Loading OldFartWalt Monday 10 November CH Sunday 12 February Johan cavalli Wednesday 10 June Robert Thursday 17 November And you know this about the middle part and state it as fact because…..?
MikeP Friday 9 November Graham Paterson Friday 11 March The thing I liked about "From Me to You" was it had a very complete middle. It went to a surprising place. The opening chord of the middle section of that song heralded a new batch for me. That was a pivotal song. Our songwriting lifted a little with that song. The idea of singing the song's opening lick—the "da da da da da dum dum da" part—was suggested by George Martin , the Beatles' producer.
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The group thought it unusual but put their trust in Martin. In the song, the singer offers his love to the object of his affections—he has "everything that you want". Although the song is based on first-person pronouns, it lacks a lead singer. There seemed to be a bottomless well of songs.
Actually, I'm sure that I once heard a bird whistling it as well. I swear I did! When it released " Please Please Me " in the United States, Vee-Jay Records signed a licensing agreement giving it the right of first refusal on Beatles records for five years. When Del Shannon released a cover version of "From Me to You" on Bigtop Records in June, Vee-Jay tried to stimulate more interest in the original, both by placing magazine ads and by sending out additional promotional copies of the 45 stamped with the words "The Original Hit".
Because of the airplay, and resulting sales, in Los Angeles, "From Me to You" made the "Bubbling Under" portion of the Billboard Hot for three weeks, peaking at number on 10 August, the same time the single peaked in Los Angeles. It appears during scenes of attempts to remove the ring from Ringo's finger while he sleeps in the Beatles' communal apartment. England's Greatest Recording Stars: The Beatles and Frank Ifield on Stage ; its first appearance on a "regular" US Beatles album wouldn't come until when it appeared on the double LP compilation — The first release on CD was in when it was included in the Past Masters compilation.
It was later released on the double CD and the single CD compilation 1. The mono version, which was issued as a single in , has appeared on the issue of Past Masters , the — CD reissues, the 1 compilation released in , and Mono Masters in The stereo version was included on the compilation A Collection of Beatles Oldies , the original LP issues of — in , and the reissue of Past Masters. The intro to the stereo version recorded on two tracks lacks the harmonica inserted into the mono mix. Bobby McFerrin covered the song in his album, Spontaneous Inventions.
In November , a slowed-down cover version using only piano and vocals became the first Beatles song to be used in a British advertising campaign when it was used in John Lewis ' Christmas marketing. From Wikipedia, the free encyclopedia. This article is about the song by the Beatles. For other uses, see From Me to You disambiguation. Retrieved 17 June Australian Chart Book — Retrieved 16 May Retrieved 23 February Retrieved 27 June Retrieved 11 September The Beatles Interview Database.
Retrieved 6 September The Beatles Recording Sessions. Revolution in the Head: Many Years From Now. Retrieved 6 January All We Are Saying: The Beatles Are Coming! The Birth of Beatlemania in America.