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Dei Ex Machina (Zenith Book 1)

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The hero had become a gladiator, granted freedom once he had been satisfactorily flayed and scarred. Metaphysical consolation had been ousted by the deus ex machina. Nietzsche argued that the deus ex machina creates a false sense of consolation that ought not to be sought in phenomena.


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  6. In Arthur Woollgar Verrall 's publication Euripides the Rationalist , he surveyed and recorded other late 19th century responses to the device. Verrall notes that critics have a dismissive response to authors who deploy the device in their writings. He comes to the conclusion that critics feel that the deus ex machina is evidence of the author's attempt to ruin the whole of his work and prevent anyone from putting any importance on his work.

    However, other scholars have looked at Euripides' use of deus ex machina and described its use as an integral part of the plot designed for a specific purpose. Often Euripides' plays would begin with gods, so it is argued that it would be natural for the gods to finish the action.

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    The conflict throughout Euripides' plays would be caused by the meddling of the gods and therefore would make sense to both the playwright and the audience of the time that the gods would resolve all conflict that they began. This device enabled him to bring about a natural and more dignified dramatic and tragic ending.

    Other champions of the device believe that it can be a spectacular agent of subversion. Some 20th-century revisionist criticism suggests that deus ex machina cannot be viewed in these simplified terms, and contends that the device allows mortals to "probe" their relationship with the divine.

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    For example, comic effect is created in a scene in Monty Python's Life of Brian when Brian, who lives in Judea at the time of Christ , is saved from a high fall by a passing alien space ship. From Wikipedia, the free encyclopedia. For other uses, see Deus ex machina disambiguation. Retrieved 23 Apr Mechanism and Machine Theory. Closure and Innovation in Euripidean Drama: Closure and Innovation in Euripidean Drama.

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